Season 1 • Episode 3
LatestAndrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler - failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich. In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every kind of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? From the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long strange journey, but the signs are there that art has a place at the heart of the new reunited Germany.
In an absorbing study, Andrew Graham-Dixon tells the story of a national art that conveys passion, precision, hope and renewal. He juxtaposes escapism with control and a deep affinity with nature against love for the machine. The fascinating story takes us from the towering cathedral of Cologne, the woodcuts of Albrecht Dürer and paintings of Grünewald to the gothic fairytale Neuschwanstein Castle, the Baltic landscapes of Caspar David Friedrich and the industrialisation lent expression of Adolph Menzel and Käthe Kollwitz. As the series progresses, it presents a rare focus on the cultural impact of Hitler's obsession with visual art, reveals how art became an arena for the Cold War and examines the redemptive work of the "visionary" Joseph Beuys – the most influential artist of modern times.
GB
