

Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.
Cinematography
Neon-noir L.A. that makes the city look actively diseased
Score
Jimmy Page's sleazy guitar wailing like it knows it's guilty
Practical Effects
Pre-CGI car crashes that genuinely endangered people

Director
Michael Winner
Trivia, insights & behind the scenes
Cannon Films rushed this into production weeks after the first film's success, capturing peak Reagan-era fear of urban crime.
Jimmy Page's score was his first major solo work post-Zeppelin; Bronson allegedly hated it and preferred the original's Herbie Hancock.
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