A 10-minute spiral into obsession that will have you seeing circles everywhere.
With the help of her therapist, Antonia must find out why she has developed an extreme obsession with circles before it's too late.
Production
Meticulous 1970s aesthetic that weaponizes wallpaper patterns.
Direction
Moffat's precise framing makes circles feel actively menacing.
Acting
Thomas's physicality sells compulsion without a word of exposition.
Director
Emma Moffat
Trivia, insights & behind the scenes
The entire film was shot in a single London flat over two days, with production design recycling circular motifs from 1970s IKEA catalogs.
Moffat cited Polanski's 'Repulsion' and the visual language of 1970s women's magazine advertisements as twin influences on the film's uncanny domesticity.
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