A ghost so horny she won't even death stop her — Polish surrealism at its unhinged best.
In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor.
Production
Crumbling manor as decaying psyche — production design eats
Acting
Beata Tyszkiewicz commits to ghost horniness with terrifying conviction
Costume
Turn-of-century lingerie that ghosts somehow keep fresh
Director
Andrzej Kotkowski
Trivia, insights & behind the scenes
Part of Poland's 'Cinema of Dread' movement, where Communist-era filmmakers used decadent aristocrats to critique crumbling power structures without direct political statement.
The 'triangle' of the title refers to both geometric obsession and the eternal love triangle of Anastasia-husband-stepson — geometry as destiny, math as erotic prison.
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