

An ambitious young accountant schemes to wed a wealthy factory owner's daughter, despite falling in love with a married older woman.
Acting
Signoret's Oscar-winning weariness vs. Harvey's desperate hunger.
Direction
Clayton makes Yorkshire industrial grime feel almost erotic.
Cinematography
Black-and-white shadows that reek of coal smoke and bad decisions.

Director
Jack Clayton
Trivia, insights & behind the scenes
This basically invented 'kitchen sink realism' and made British cinema gritty again—Beatles era, but make it miserable.
Signoret was so furious about dubbed dialogue that she learned English phonetically for her next film. Oscar in hand, petty in heart.
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