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A man wants you to kill his wife—for art. She agrees. What could go wrong?
TMDB
60

Nemuri Kyōshirō 4: The Woman Who Loved Kyoshiro (1998)

lethal elegancedoomed romanceaesthetic obsession

Overview

ActionDrama

Tamura Masakazu returns as Nemuri Kyoshiro for the fourth and final time. Gensai, an eccentric Ukiyoe artist, urgently requests Kyoshiro to kill his wife. He believes that the moment she is killed will represent the ultimate state of beauty, and wishes to see Kyoshiro's signature “Engetsu Sappo” (“Full Moon Cut”) killing technique for the purpose. But this unusual request comes not only from Gensai, but also his wife, Orin, who has a tie to Kyoshiro's past. Meanwhile, Tenzen wants to hire Kyoshiro as their master sword instructor for the Kurume Clan, whose lord has an unhealthy obsession with Kyoshiro and his Engetsu Sappo…

Flag of JPJPJapanese

Standout Aspects

Acting

Tamura's final, weathered performance as the cursed swordsman.

Cinematography

The Full Moon Cut staged like violent ukiyo-e come to life.

Writing

A perverse commission that blurs murder, art, and desire.

Best for:Solo: Late night when you want to feel melancholy about beautiful things.·Rewatch: After you've seen the first three—this is Tamura's farewell.
Heads up:Violence: Sword kills treated as aesthetic events, not action spectacle.·Disturbing: Suicidal ideation framed as romantic/artistic fulfillment.
Akira Inoue

Director

Akira Inoue

ReleasedDec 28, 1998
Runtime1h 30m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelheavy

Top Cast

Masakazu Tamura

Masakazu Tamura

Nemuri Kyoshiro

Hitomi Kuroki

Hitomi Kuroki

Kimiko Ikegami

Kimiko Ikegami

Hiroshi Abe

Hiroshi Abe

Hirotaro Honda

Hirotaro Honda

Masahiko Tsugawa

Masahiko Tsugawa

Kenzō Kawarasaki

Kenzō Kawarasaki

Ken Nishida

Ken Nishida

Gen Kimura

Gen Kimura

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Deep Dive

Trivia, insights & behind the scenes

Trivia

This was Tamura Masakazu's fourth and final portrayal of Kyoshiro across nearly two decades, closing a rare Japanese TV-to-film character continuity.

Cultural

The 'beauty in death' premise directly echoes Edo-period aesthetic philosophy of mono no aware—the pathos of things—twisted into murderous eroticism.

Reviews

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Nemuri Kyoshiro (Masakazu Tamura) Collection(5 films)
Nemuri Kyōshirō poster7.0

Nemuri Kyōshirō

1989

Nemuri Kyôshirô 2: Conspiracy in Edo Castle poster8.0

Nemuri Kyôshirô 2: Conspiracy in Edo Castle

1993

Nemuri Kyōshirō 3: The Man with No Tomorrow poster

Nemuri Kyōshirō 3: The Man with No Tomorrow

1996

Nemuri Kyōshirō 4: The Woman Who Loved Kyoshiro poster
Now Viewing

Nemuri Kyōshirō 4: The Woman Who Loved Kyoshiro

1998

Nemuri Kyōshirō: The Final poster6.5

Nemuri Kyōshirō: The Final

2018

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