Gene Kelly multiplied by chaos equals pure cinematic hypnosis.
An experimental film superimposing a clip from "Singin' in the Rain" over itself seven times.
Editing
Seven identical clips, perfectly misaligned, creating visual polyrhythms.
Direction
Biermann weaponizes synchronization against itself.
Director
Gregg Biermann
Trivia, insights & behind the scenes
Biermann's technique echoes structural film pioneers like Paul Sharits, using mechanical reproduction to expose how cinema constructs time itself.
The film premiered at a moment when YouTube was making video remix culture mainstream—accidentally prophetic about how we'd all consume media.
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