Three directors, one 90s Italian fever dream of voyeurism, acid trips, and hotel sin.
Voyeur: A hotel doorman sees on his monitor everything that happens in room 107, occupied by a couple of extravagant foreigners. Both have sex with the waitress without each other's knowledge. When the truth comes to light, the couple goes into crisis, but the maid manages to restore peace. Giulia: A famous photographer shoots some beautiful models during a trip between Paris and Rome. The journey between the two cities thus also becomes an erotic journey into the body, heart, brain of the girls, all perfectly innocent and perfectly perverse... Quattro: On an "acid" night in Rome, they meet two friends in their thirties, a stripper and a Colombian trans. After a car ride, crazy drunk chemical "trips" their roads split and two couples are formed. Four parallel stories, of intersecting glances, bodies that seek each other and destinies that touch each other between dubious hotels and nightclubs.
Cinematography
That grainy 90s European neon-noir aesthetic
Production
Tinto Brass cameo adds meta-erotic credibility
Director
Roy Stuart
Trivia, insights & behind the scenes
Part of Italy's 90s 'cinepanettone' erotic wave—commercial skin flicks with arthouse pretensions that dominated late-night TV.
Tina Aumont (in 'Voyeur') was Jean-Pierre Léaud's ex-wife and 60s European cinema royalty—her presence here is bizarre generational bridging.
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters
IT
