

A pretty Parisian boy gets humbled by country girls—peak 18th century revenge comedy.
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
Acting
Florence Viala's Dorimène is devastating elegance.
Direction
Hervieu-Léger makes 1734 feel uncomfortably now.
Costume
Silks so pretty you'll forgive the arrogance.

Director
Don Kent
Trivia, insights & behind the scenes
Marivaux's 'simpler' language here was revolutionary—he made wit accessible without dumbing it down.
The Comédie-Française has performed this since 1734; this 2018 production deliberately echoes modern dating app arrogance.